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Proposal Summary

Project Director(s): Melissa Heggen, Emily Buschang, and Joey Campbell Project Title: The Mathematics of Minimalist Music
Total Budget Figure: $2491.33

Our community is in a state of emergency because our students have developed an aversion to the subject of mathematics. The students show a general lack of interest in mathematics and the traditional way it is taught in their schools. This project originated by teachers seeking to connect with students on common ground and use that common ground to engage students in mathematics learning. The project we designed has students looking at music compositions by the minimalist composer Steve Reich and analyzing them mathematically. In doing so, students are more apt to develop their mathematical knowledge and further extend the application of this knowledge in new and real situations by gaining experience modeling and applying mathematical concepts to musical compositions. Using music to engage the student will recapture the average students lost interest in math.

This project is intended for a Mathematical Models with Applications course. Its four-week design allows both student and teacher to introduce concepts in both math and music and allows students to explore the intersection of these two subjects as they analyze compositions mathematically looking for symmetry, permutations and combinations.

After completing this project, it is our hope that students will be able to develop their mathematical thinking and find it easier to think about problematic situations outside of a classroom mathematically. Also, it is our hope that students will retain their mathematical knowledge for a longer period of time since they were able to form their own understanding about math in the context that they find interesting.




Description

The Mathematics of Minimalist Music Project examines the mathematics behind the music of Steve Reich (a modern minimalist composer). By incorporating music into the math classroom our students will be more connected to the concepts being introduced to them as opposed to the traditional lecture format of teaching mathematical concepts. This project will allow students to form their own understanding of advanced mathematical concepts such as set theory, combinations, probability, and symmetry.

This project uses music to gain student interest and show students that math can be found in music. During the first week of the four-week course students are exposed to reading music, general music appreciation, and minimalist music. This project assumes no formal musical background. In fact, we see formal training as a potentially harmful factor for students since it is highly unlikely that they have ever been exposed to minimalist music and the techniques created for analyzing music in this project will be foreign to the trained musician. This first week is designed to peak student interest and have them look into music they enjoy everyday in addition to hearing minimalist music for the first time. After student interest is maximized during the first week, we devote much of the second week to mathematical concepts we can use to look at thee compositions and come up with ways to explore them mathematically. Here we introduce set theory, geometric permutations, rotations, and translations as well as combinations and symmetry. Once the groundwork is laid through these lessons students are now equipped with the tools necessary to examine specific minimalist music compositions. Some play with instruments and exploration of sound and the students can now come up with their own mathematically charged compositions. Students will work together to analyze pieces of music, and use what they have learned from each other to create their own pieces, which will be performed at a recital at the end of the project.

It is much more difficult to go back and unlearn something which was learned wrong, than it is to learn the right way from the very start. As I stated earlier, student with a background for analyzing and performing musical compositions might find this project an extra challenge because the tendency to revert to what is already known might skew their thought process necessary to analyze the compositions presented in this course. But this can be easily overcome if students are patient and rely not on their ability to analyze pieces musically and rely on the mathematical knowledge accumulated in the second week of the project to analyze the music.

It is important for students to relate in class work with their everyday life. Extending what they learn through this course to music they listen to everyday will help develop the student’s ability to notice patterns or their ability to group similar objects into sets. Music has captivated the hearts and minds of the majority of our community, and this project exploits this interest to give students, who find the traditional format of school mathematics a turn off, a new avenue for exploring important mathematical concepts. This program allows students the opportunity to explore math outside the traditional sense and form their own mathematical understanding by using math to describe and create works of art.




Rationale

Take a quick poll of the people walking down any street in America and you will find that a disheartening proportion of our citizens view mathematics as impossibly difficult, dry, and the source of anxiety in their educational experiences. Those who have pursued their mathematical studies past algebra, trigonometry, and calculus know that it is in fact a highly creative and graceful art! While future engineers may thrive in the algorithmic setting of a standard high school mathematics course, most others will begin to develop a life-long aversion to the subject.

This problem is more significant than it first may seem. Studies have shown that mathematical aptitude often coincides with a creative, artistic aptitude. Unfortunately, high school mathematics course content and project topics typically are geared towards computation and scientific applications. While many students enjoy such activities, a significant student population – including many of those who may excel in higher-level mathematics – can fail to be engaged by such activities.

In this four-week project, designed for use in a Mathematical Models with Applications course, students will not only be exposed to elegant mathematics typically reserved for upper-division and graduate level college students, but will also be given the opportunity to explore intrinsic connections between mathematics and music composition. It is reasonable to propose that most high school students have an interest, at any level, in music. This interest will be utilized as students seek out examples of set theory, combinatorics, probability, and symmetry in the compositions of Steve Reich and begin to see that mathematics can be found in unexpected places.




Potential Impact

This project is designed to satisfy and expand on the general requirements of a Mathematical Models with Applications course. Depending on the high school and the semester, this class will be comprised of one teacher and between 15 and 30 students. The students will be a mix of sophomores, juniors, and seniors. The only prerequisite for this class is Algebra I, and a typical student in the class will not take additional math coursework in the future. The academic and extracurricular interests of these students are most likely in areas other than science, engineering, and mathematics.

Exploring math through music will engage many of these students in ways that a traditional approach might not. An atypically large proportion of the students in a Mathematical Models with Applications may be artistically gifted – either visually or musically. Both skills will prove invaluable as students design ways to visually represent musical patterns they have untangled from a composition.

Not only will this project satisfy the Knowledge and Skills objective 111.36.9, but will demonstrate to the students that they may possess mathematically creative talents of which they were previously unaware. They will complete the project with the understanding that the field of mathematics is not a territory reserved only for the scientifically minded, but in fact an elegant art where creativity and insight are the most powerful tools.



Evaluation Plan

The students will be evaluated in several ways over the course of the project. During the beginning of the project, participation will be a large factor in their evaluation. Students will be asked to become involved in the music that the class is studying. The music will be analyzed for permutations, symmetry, and translations. The best way to evaluate the students’ understanding of the presence of these mathematical ideas in music is to have the students identify them. The students also be evaluated on the written music assignments they will be given. They will be graded on how well their composition follows the given guidelines as well as on their creativity in the writing of the music. A major part of the students’ evaluation on this project will come from their analysis and presentation of a musical work by Steve Reich. The method that the student developed to notate the sheet music will be graded on its functionality. The analysis will be graded for the student’s ability to identify the various mathematical principles present within the music. The students will also be graded on the progress they have made between the first presentation and the final presentation.




Project Calendar

The calendar can be viewed by clicking here




Budget


Item Description Unit Price Quantity Total
Personal CD Player $11.99 10 $119.90
Memorex Boombox $44.99 1 $44.99
CDs (Recorded) $13.98 10 $139.80
Easy Media Creator 7 $99.99 1 $99.99
10 Pack Imation CD-RW Discs $10.00 5 $50.00
Live performances $12.00 70 $840.00
Standard Wirebound Manuscript Paper $3.95 50 $197.50
Digidesign MBox Audio Interface $549.95 1 $549.95
Sheet Music $10.00 10 $100.00
Yamaha Keyboard $259.95 1 $259.95
AA Batteries (4-pk) $5.95 15 $89.25
Total: $2491.33




Staff Vitae

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