|
Storyboard
Lesson Plan Project
AUTHOR:
Stephen Openshaw
TITLE
OF THE LESSON: Elements of a Storyboard
TECHNOLOGY
LESSON (circle one):
Yes
DATE
OF LESSON: October 24, 2008
LENGTH
OF LESSON: 50 Minutes
NAME
OF COURSE: English II
SOURCE
OF THE LESSON:
TEKS ADDRESSED:
(20) Viewing/representing/analysis.
The student analyzes and critiques the significance of visual
representations. The student is expected to:
(D) recognize
how visual and sound techniques or design convey messages in media such
as special effects, editing, camera angles, reaction shots, sequencing,
and music
(21) Viewing/representing/production.
The student produces visual representations that communicate with
others. The student is expected to:
(B) use
a variety of forms and technologies such as videos, photographs, and
web pages to communicate specific messages
CONCEPT
STATEMENT:
Students are learning
how to create a storyboard for their digital storytelling project.
Students will be asked to create two storyboards during
this lesson.
PERFORMANCE
OBJECTIVES:
- Students will be able
to identify cues that help visual storytellers communicate with their
audiences.
- Students will be able
to understand how the sequence of frames in a storyboard affects the
story the frames are conveying.
- Students will work
collaboratively to translate a written story into a visual one.
RESOURCES:
SAFETY
CONSIDERATIONS:
SUPLEMENTARY MATERIALS,
HANDOUTS:
-
“Willie
Wonka and the Chocolate Factory” movie
-
“Storyboard
Organizer” handouts
-
Chalkboard
-
T.V./
Projector
-
Video
Player/Computer
Engagement
|
|
Time:
________
|
What
the Teacher Will Do
|
Probing
Questions
|
Student
Responses
Potential
Misconceptions
|
-Tell
students that most movies contain many different elements that all work
together to help the audience understand the movie’s story.
-Elements include the
images, the dialogue and the music and sound effects.
-Write these elements
on the board.
- Play a clip from
Willie Wonka & The Chocolate Factory
-Ask students to talk
about the elements listed on the board.
Ask them for specific examples of each element and
how they thought it furthered the story.
|
- How do gestures and
facial expressions help the audience understand what is happening?
- What type of mood
does the music seem to set when it starts and stops?
- What types of things
do people say and does what they say help further the story?
|
Facial expressions
show the audience what emotions the characters are feeling.
The music helps create
the tone of the movie.
|
|
|
|
Exploration
|
|
Time:
________
|
What
the Teacher Will Do
|
Probing
Questions
|
Student
Responses
Potential
Misconceptions
|
Tell
students that now that they have identified “visual clues” used by
filmmakers, you’d like to discuss another communicative tool filmmakers
use.
- Write the terms
“close-up shot” and “wide shot” on the board.
- Tell students that
it isn’t just what filmmakers show, but how they show it, that affects
a movie’s meaning.
-
Explain that a close-up sounds just like what it is, that the filmmaker
shows something close up. Tell students that in a wide shot, the
filmmaker shows things from further away.
-
To help students understand this concept, show them an example of a
scene from Willie Wonka and the Chocolate Factory that uses both types
of shots. As the clip is shown, turn off the sound so students pay
attention to the visuals.
-
Show students the clip from WILLIE WONKA again. Ask them to raise their
left hand every time they see a close-up shot, their right hand every
time they see a wide shot.
-
Underneath the terms “close-up shot” and “wide shot” that you’ve
written on the board, ask students to volunteer examples of each that
they saw in the clip.
|
- What types of things
does the director chose to show in close-up shots versus in wide shots?
- Why do you think the
director chose to use wide or close-up shots when he did?
- What information do
each of these shots best convey?
|
Close-up
shots give the audience a better look at the characters.
The
wide shot give the audience a sense of the setting were the story is
taking place.
|
|
|
|
Explanation
|
|
Time:
________
|
What
the Teacher Will Do
|
Probing
Questions
|
Student
Responses
Potential
Misconceptions
|
-
Tell students that filmmakers often plan out the pictures as carefully
as they plan out what the actors are going to say or who is going to
play each role in the film.
- Explain that
filmmakers create storyboards to help them plan a visual story.
- Show students
examples of storyboards.
-
Ask students to storyboard the following scene in five to seven shots:
Bill walks into the classroom. He sits down at his desk. On his desk,
he sees that someone has left him a valentine. Embarrassed, he looks
around the room to see who has given the valentine to him, but no one
is looking at him.
-
As students create the storyboard, tell them to use both wide and
close-up of shots and to include some of the visual cues they listed
earlier in the lesson.
-
Break students into pairs and have students share their storyboards
with one another and give one another feedback on whether there are
enough visual clues to understand the scene.
- Display the
storyboards on a wall in your classroom.
|
What is happening in
the storyboards?
Can you see examples
of the visual cues in the storyboards? What are they?
Can you see examples
of close-up and wide shots in the storyboards?
Why did you choose the
type of shots you did?
And how was that dictated by the story itself?
|
|
|
|
|
Evaluation
|
|
Time:
________
|
What
the Teacher Will Do
|
Probing
Questions
|
Student
Responses
Potential
Misconceptions
|
- Review with students what they’ve
learned so far
in this lesson: types of visual cues filmmakers use to tell a story;
two different types of shots (close-up and wide) and how they’re used;
and how the order of shots can affect a story’s meaning.
- Write these elements on the board.
-
Break students into groups of two to four. Ask
students to pick
a page or two from a book they are currently reading that they would be
interested in storyboarding.
-
Have students plan and create a storyboard using the
“storyboard organizer”
-
Have students present their storyboards to the class.
-
Follow the presentation with a question and answer period in which the
“filmmakers” field questions and comments from the audience.
- Encourage students to talk about
their choices, and what they hoped to achieve with their drawings.
|
What
types of visual cues have we discussed?
How
are close-up and wide shots used in filmmaking?
What
were some of the choices you made to create a visual storyboard of your
book?
|
Close-up
shots can help show characters facial expressions.
Wide
shots are used to show the audience an entire scene or landscape.
|
|
|
|
|
Storyboard Organizer
Use the following to
help you plan and create your storyboard:
1. Briefly describe the section of the story you are going to tell. If
possible, write your description out in numbered steps.
2.
Look at your numbered steps and take any out that don’t seem like they
help you tell the story. Add any in that you feel are missing.
3. Fill in the chart below. For each numbered step of your story, fill
in a new shot.
Shot #
|
Description
|
Shot type:
Close-up or wide
|
Visual clues to help
communicate the idea
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|